Dr Vibe Nielsen

Research Summary

Discussions about how museums can respectfully represent all parts of society and critically engage with their own colonial past have made way for new strategies of inclusion and have given previously untold stories new levels of attention. During this research fellowship I will examine the links between museums and activism and explore how recent calls for decolonisation impact museum practices in the leading ethnographic museums of the two most dominant former colonial powers in Europe, the United Kingdom and France. My main focus is the changing curatorial practices at the Pitt Rivers Museum in Oxford and le Musée du Quai Branly in Paris, where debates about decolonisation and repatriation have been central in recent years.

Further project information can be found here

CV

2024-2027: Postdoctoral Researcher, Ny Carlsberg Glyptotek / Department of Arts and Cultural Studies, University of Copenhagen

2021-2024: Postdoctoral Researcher, Pitt Rivers Museum, University of Oxford 

2019-2020: Postdoctoral Researcher, Department of Anthropology, University of Copenhagen 

2016-2019: PhD Fellow, Department of Anthropology, University of Copenhagen

2015-2016: Curator of Public Programmes, National Museum of Denmark 

Selected recent publications

‘The Colonial Roots of Botany – Legacies of Empire in the Botanic Gardens of Oxford and Kew’ (2023) Museum Management and Curatorship: doi.org/10.1080/09647775.2023.2269222

‘Diversifying Public Commemorations in Cape Town and Copenhagen’ (2023) De-Commemoration: Removing Statues and Renaming Places ed. by S. Gensburger and J. Wüstenberg, Berghahn Books.

‘Ajouter et soustraire : décoloniser les espaces urbains au Cap et à Copenhague’ (2023) Dé-commémoration : Quand le monde déboulonne des statues et renomme des rues ed. by S. Gensburger and J. Wüstenberg, Éditions Fayard.

‘Ambivalent Art at the Tip of a Continent: The Zeitz MOCAA and its quest for global recognition’ (2023) Global Art in Local Art Worlds: Changing Hierarchies of Value ed. by O. Salemink, A.S. Corrêa, J. Sejrup and V. Nielsen. Routledge: 77-99.

Global Art in Local Art Worlds: Changing Hierarchies of Value (2023) ed. by O. Salemink, A.S. Corrêa, J. Sejrup and V. Nielsen, Routledge.

’”What’s in a name?” Gentænkning af genstandstekster på Pitt Rivers Museum’ (2022) Jordens Folk: Samling på Verden 57 no. 2 ed. by K.M. Bach, M. Gabriel, U.H. Johnsen, V. Nielsen and C.M.S. Pallesen: 83-93: ISSN: 0021-7484

‘Nye roller for gamle ting: Etnografiske samlingers samtidsrelevans i en verden i forandring’ (2022) Jordens Folk: Samling på Verden 57 no. 2 ed. by K.M. Bach, M. Gabriel, U.H. Johnsen, V. Nielsen and C.M.S. Pallesen: 2-10.​

‘Botanikkens Koloniale Rødder – Kulturhistorisk formidling af plantesamlinger i Storbritanniens botaniske haver’ (2022)Kulturstudier 13 (2): 161-184.

‘How to Practice Decoloniality in Museums: A review of Practicing Decoloniality in Museums – A Guide with Global Examples by Csilla E. Ariese and Magdalena Wróblewska’ (2022) Museum Worlds: Advances in Research no. 10: 230-234.

‘Kunstbegrebets Koloniale Klassifikationer til Forhandling på Museer i Sydafrika’ (2021) Kulturstudier no. 1: 89-112

‘In the absence of Rhodes: decolonizing South African universities’ (2021) Ethnic and Racial Studies vol. 43 issue 3: 396-414.

Demanding Recognition: Curatorial Challenges in the Exhibition of Art from South Africa (2019) PhD thesis, Department of Anthropology, University of Copenhagen.

‘Museale formidlinger af fortiden som kolonimagt på danske og britiske museer’ (2017) Slagmark no. 75: 81-94.

 ‘Er kvinder særlig skikkede til lovgivningsvirksomhed? 100-året for kvinders valgret’ (2016) Nationalmuseets Arbejdsmark published by the National Museum of Denmark: 274-287.